Reading too much budget wonk stuff – brain exploding

So, the budget allocations for the arts seem fine and the new funds will be warmly welcomed by those who get them. To my mind the real problem is that I don’t believe the government’s optimistic forecasts for the economy that it is depending on. The arts like everyone else in the economy will be affected if Australia’s economy shifts into recession.

As Alan Kohler noted on The Drum the Budget is relying on a bumper 11% increase in revenue in 2012-13, including company tax up 9% and personal tax up 8%. That’s just not going to happen.

It is extraordinary that so few financial commentators, including the Reserve Bank have not, and continue not to see a slow down in the Australian economy coming, despite the signs that the asset inflation that has funded much of it for so long was inevitably going to slow down as households reached debt saturation and had to take stock of their debt ratios. Continue reading

$64.1 million more over four years for the arts from the Fed Budget

Still going over it folks but not a lot of excitement to be had from what I can see. At least there’s been no cuts and everything (at least for the arts) seems steady as she goes. Are they saving something up for the National Cultural Policy? Doesn’t look good does it?

The amazing thing is 20% of the funding boost Arts Minister Simon Crean has announced is going to attracting production of the feature film The Wolverine to Australia. Continue reading

The Australia Council’s Women in Theatre Report

Last week I was reading the Women in Theatre report for my piece for artsHub, which has become part of its Special Report that went out today.

Excuse the slightly daggy headline but artsHub’s got a pretty tight character limit for title and you have to make it a bit catchy: Wherefore art thou gender-equity?

It was one of those rare reports you can read through from beginning to end and it had some fabulous quotes in it. The most saddening thing I found was how well I understood it, it did feel as though it was telling me what I already knew. My own career has followed a path that many of those interviewed for the report would find similar to their own. Continue reading

Pinterest anyone?

I’m pretty new to Pinterest myself, only discovering it a couple of months ago and then only becoming a member in the past few weeks. But the way it has grown, its potential and it’s problems are pretty fascinating though. Thinking about Pinterest was the basis for my feature this week in the What’s On Now at artsHub.

It’s here if you’re interested: Do you Pinterest?

My first tweets – our two year anniversary

Dear Blog,

I scrolled back in time and found my early tweets – I seemed to have quite the poetic bent back then. Wonder if I’ll find my way round that corner again. Here’s some of them:

@McFifi
so beautiful and strange-so Hindenberg-esque http://www.etravelblackboard.com/showarticle.asp?id=101689
11 Feb 10

@McFifi
Sky opened lightening flashed leaves flowed in veins over the tarmac water pooled and now all softly settles down in cool
11 Feb 10 Continue reading

The Cost of Inequality

This is a pretty awesome article in the Guardian by Stewart Lansley, Why economic inequality lead to collapse. He’s the author of The Cost of Inequality: Three Decades of the Super-Rich and the Economy, published by Gibson Square, which sounds like something I should read. This is the sort of thing that always fascinates me – the economic bug that I’ve had to scratch at all my life.

It reminds me of when I was working in a deli in a shopping centre foodhall, my part time job while I did my economics degree. Exhausted on a 15 minute break, I doodled on a piece of paper trying to draw the appropriate graph for the relationship between hours worked and consumption demand. I figured I was spending so much time either at uni or working part time that despite earning money I didn’t get the time and didn’t have the energy to spend it. It was a curiously shaped curve I reasoned. To a point, working more hours and earning more money rapidly increased how much you would buy, but then I reasoned the curve would flattened out. If you’re spending all your time working, you just can’t spend. You need leisure to buy. An economy needs people to have time off. Money should buy that, but it wasn’t happening. Continue reading

Social media ‘working for you’ what it means for content

An article in the Guardian (31 Jan 2012) Be Better at Twitter: The Definitive, Data-Driven Guide by The Atlantic’s Megan Garber and the report from which it drew highlight some of the fascinating things happening around how we use and think about Twitter.

Basically it’s about a study by researchers Paul André of Carnegie Mellon, Michael Bernstein of MIT, and Kurt Luther of Georgia Tech who analysed 43,000 crowdsourced responses to tweets from 21,014 Twitter users via their site, Who Gives a Tweet. The results are hoped to provide answers to what ‘works’ in the twittersphere. Continue reading

Crafting Crime Fiction

My latest piece for artsHub goes online today here.

For it I spoke with the lovely Pam Newton, author of The Old School, and Lenny Bartulin, who has written three crime novels featuring Jack Susko, and is now working on a more ‘literary’ historic novel set in Tassie. They will be leading a six week course in Sydney on writing crime fiction as part of the Allen & Unwin Faber Academy. Wouldn’t that be fab to be part of!


There’s so much in every interview that you wish you could include but there’s just never the space. Pam and I talked a lot about how she got into writing, which was actually a slow process over almost 10 years after leaving ‘the job’ ie.the NSW Police force. Only an ex-cop can say that convincingly. She also said some really interesting things about her masters exegesis, and how she became fascinated by a quote from David Lodge’s Consciousness and the novel on how a poem can capture qualia, a sense of shared subjective experience. ‘He said the novel is the most extended example of that, where you actually travel through time and space in the soul of another human being.’


And Lenny and I spoke about how much effort he puts into his research, including playing 5-card stud with himself so that he was sure every move was possible. And about the time he tried to ring the police to find out how they would investigate a particular kind of car accident only to find himself being asked to provide his name and details and feeling like he’d just initiated an enquiry into some very dubious author activities.

Faber Academy

Armed and Dangerous: The Craft of Crime Fiction with Lenny Bartulin and P.M. Newton
15 February – 31 March 2012
Allen & Unwin
83 Alexander Street
Crows Nest NSW 2065
Course fee: $1,200 (inc GST)
Maximum of 15 students
For further details visit www.allenandunwin.com/faberacademy

My blog header

This image came from me just stuffing around with a caligraphy pen years ago. I really liked the idea of these computers all swimming around in cyber space as awkward fish and creating an image of a computer that was fluid and sort of minimal.

But now, many years later they do look incongruous and, well a lot like sperm. I’m not sure this is saying the right things about my blog. Time for a change, hmm. but what too?